The end of Ajax shows us a world where there are no real heroes left--or, rather, where heroism and courage have to be reinvented as mental qualities rather than physical ones.
Modern 'Antigone' puts words first: Ensemble highlights disasters of pride, folly, by Tom Strini, review of production by Present Music and Milwaukee Dance Theatre, Milwaukee Journal Sentinel, March 7, 2008
Setting their sights on 'Antigone' by Tom Strini, preview of production by Present Music and Milwaukee Dance Theatre, Milwaukee Journal Sentinel, March 3, 2008
Red Thebes, Blue Thebes review by Garry Wills of The Burial at Thebes: A Version of Sophocles' Antigone by Seamus Heaney, New York Times, December 5, 2004
Antigone's Flaw by Patricia M. Lines, Humanitas 1999 No. 1